A Blockbuster That Understands Ambition
The Atlantic
February 22, 2026
AI-Generated Deep Dive Summary
This article highlights Rafaela Jinich’s favorite cultural picks and how they have shaped her perspective on life, work, and ambition. As an assistant editor at *The Atlantic Daily*, she shares insights into how these interests connect to her professional journey in journalism and her personal values. From movies like *The Devil Wears Prada* to the World Cup and the works of Agatha Christie, her selections reflect a blend of inspiration, emotional resonance, and a deep appreciation for storytelling.
Rafaela’s admiration for *The Devil Wears Prada* stems from its portrayal of ambition and the sacrifices people make in pursuit of their goals. While she initially aspired to be Andy Sachs, she found a sense of wonder in journalism instead. The film’s exploration of ambition resonates with her, particularly how it balances the challenges faced by someone striving for success. This connection to media and storytelling has stayed with her, shaping her career in journalism. She also credits Laura Hillenbrand’s *Unbroken* for its raw account of survival and resilience, which she finds deeply immersive.
Rafaela’s cultural tastes are diverse and meaningful. She adores John Grisham for his ability to simplify complex systems through compelling narratives. Musically, Shakira’s older songs from her youth evoke a sense of cultural roots and global ambition, reflecting her own identity as a Colombian transplant in the U.S. Her love for art is evident in her appreciation of Rashid Johnson’s work, which challenges viewers to reflect on their surroundings. Monet’s *Water Lilies* also capture her attention, symbolizing how art can recalibrate one’s sense of time and perspective.
These cultural choices matter because they reveal the ways in which art and media shape our identities, aspirations, and understanding of the world. For readers interested in politics, this connection is vital: media narratives often influence
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Originally published on The Atlantic on 2/22/2026