'A Child of My Own' Review: A Hybrid Doc on Maternal Longing

Variety

by Guy Lodge

February 22, 2026

AI-Generated Deep Dive Summary

"A Child of My Own" is a hybrid documentary by Chilean director Maite Alberdi, blending factual storytelling with stylized drama to explore the case of Alejandra, a Mexican nurse who fabricated her pregnancy and stole another woman's baby. The film humanizes Alejandra while presenting conflicting perspectives, as it shifts between dramatic reenactments and documentary-style interviews. While the narrative approach adds emotional depth, it also raises questions about truth and storytelling in non-fictional cinema. The story follows Alejandra, who, after multiple miscarriages and societal pressure to have a child, devises a scheme to steal Mayra's baby. The film captures Alejandra's desperation and justification through vibrant, semi-comic dramatizations, but the tone shifts harshly when documentary framing reveals the cold legal facts of her case. Despite her sympathetic portrayal, Alejandra's version of events remains uncertain, leaving audiences grappling with ambiguity. Alberdi's unique visual style, characterized by bold colors and playful genre elements, creates a distinct mood that blurs reality and fantasy. The film's candy-hued scenes contrast sharply with the real-life consequences of Alejandra's actions, offering a complex exploration of her motivations and the societal pressures that drove her. While the approach is innovative, it also risks overshadowing the harsh truths of the case. The film's compassionate tone and Alberdi's signature storytelling style make it a compelling watch for those interested in boundary-pushing documentaries. However, its hybrid approach may leave some viewers questioning whether a more straightforward documentary would have delivered greater clarity and impact. Ultimately, "A Child of My Own" raises thought-provoking questions about truth, perspective, and the power of storytelling in shaping our understanding of complex human actions.

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Originally published on Variety on 2/22/2026