arts24 - Dance Theatre of Harlem: The ballet revolution hits Paris
France 24
by Eve JACKSONFebruary 26, 2026
AI-Generated Deep Dive Summary
Dance Theatre of Harlem Makes Historic Return to Paris After 40 Years
The Dance Theatre of Harlem (DTH) has made a historic return to Paris, marking its first performance on French stages in over four decades. This groundbreaking company, founded in 1969 in the aftermath of Martin Luther King Jr.'s assassination, is redefining ballet by challenging Eurocentric norms and proving that "ballet belongs to everyone." In an exclusive interview with arts24's Eve Jackson, dancers Alexandra Hutchinson and Lindsey Donnell shared their experiences of carrying this revolutionary mission into 2026.
DTH was born during a time of social upheaval in the U.S., aiming to break barriers in a predominantly white and Eurocentric art form. The company has long championed inclusivity, creating opportunities for Black dancers and reimagining classical ballets like "Firebird" with fresh perspectives. This return to Paris is not just a performance but a statement—a reminder of how far the company has come since its inception.
Hutchinson and Donnell discussed the challenges of being trailblazers in an art form deeply rooted in tradition. They emphasized the importance of representation and resilience, both on stage and off. For Hutchinson, it's about breaking stereotypes and showing that ballet can be "big, bold, and Black." Donnell highlighted how the company's legacy inspires a new generation of dancers to embrace their authenticity.
This revival tour is more than a cultural event; it's a political statement. DTH's presence in Paris reflects the growing global demand for diversity in classical dance. By bringing their unique blend of athleticism, artistry, and storytelling to the Palais des Congrès de Paris, they are redefining what ballet can be. For readers interested in world culture and politics, this marks a significant moment in the ongoing fight for representation and inclusivity in the arts.
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Originally published on France 24 on 2/26/2026
