Arundhati Roy quits Berlin film festival over ‘stay out of politics’ comment

The Guardian World
by Nadia Khomami Arts and culture correspondent
February 13, 2026
AI-Generated Deep Dive Summary
Arundhati Roy, renowned author and filmmaker, has withdrawn from the Berlin International Film Festival (Berlinale) following controversial remarks by jury president Wim Wenders. The German director suggested that filmmakers should avoid political involvement, sparking outrage among artists and activists like Roy, who deemed the comments "disgusting." This decision highlights a broader debate about the role of art in addressing political issues. The controversy began during the festival's opening when Wenders was asked about the potential of films to influence political change. He argued that while movies can "change the world," they should not do so "in a political way." This statement drew sharp criticism, particularly from Roy, who is known for her vocal advocacy on social and political issues. Her withdrawal underscores the tension between artistic expression and political engagement, a topic that has long been debated in cultural circles. Roy's decision to leave Berlinale reflects her strong stance against apolitical art. As both a writer and filmmaker, she has consistently used her platform to address human rights abuses and social injustice, particularly in India. Her actions resonate with readers and viewers who believe art has the power to challenge political norms and inspire change. The incident also raises questions about the role of film festivals in fostering dialogue on global issues. While Wenders' comments were intended to emphasize the universal appeal of cinema, they oversimplified the complex relationship between art and politics. Roy's withdrawal serves as a reminder that artists often see their work as deeply intertwined with societal concerns, particularly in times of conflict and division. Ultimately, this controversy highlights the ongoing debate about whether creative professionals should stay neutral or take sides in political matters. For readers interested in global culture and human rights, Roy's decision to step away from Berlinale offers a valuable perspective on the intersection of art and politics. It challenges festival organizers and audiences alike to consider how film can serve as a tool for addressing pressing social issues.
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Originally published on The Guardian World on 2/13/2026