Chinese state-sponsored spy thriller Scare Out comes in from the cold

South China Morning Post

by Alyssa Chen

February 19, 2026

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Chinese state-sponsored spy thriller Scare Out comes in from the cold

Directed by renowned filmmaker Zhang Yimou, *Scare Out*, a gripping spy thriller produced under the direct supervision of China's Ministry of State Security (MSS), has become a major box office hit during the Lunar New Year. The film, which revolves around a tense cat-and-mouse game between counter-espionage agents and a researcher accused of leaking sensitive information, is said to be based on real-life cases. This unique collaboration between the entertainment industry and state security agencies has sparked curiosity and intrigue among audiences, highlighting the intersection of art and geopolitics in modern China. The film's production ties closely with China's narrative around national security and intelligence operations, a theme that aligns with the MSS's mandate to promote public awareness of espionage threats. While the plot remains shrouded in secrecy, *Scare Out* is positioned as a propaganda tool that subtly reinforces state authority while entertaining audiences. The involvement of Zhang Yimou, whose internationally acclaimed works like *Raise the Red Lantern* and *House of Flying Daggers* have earned him global recognition, adds credibility to the film's artistic and narrative execution. The success of *Scare Out* reflects China's growing emphasis on blending cultural exports with state messaging. By aligning entertainment with national security narratives, Beijing aims to shape public perception and showcase the effectiveness of its intelligence apparatus. This strategy not only boosts domestic box office revenues but also reinforces loyalty to the regime among Chinese audiences. For global viewers, *Scare Out* offers a rare glimpse into China's approach to blending artistry with political messaging, underscoring the country's unique cultural and geopolitical landscape.

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Originally published on South China Morning Post on 2/19/2026