Elton John at Home: 27 Photos of the Rocket Man’s Maximalist Domestic Life

Architectural Digest

by Katie Schultz

February 26, 2026

AI-Generated Deep Dive Summary

Elton John’s maximalist lifestyle is on full display in his grand English estate, where he has long indulged his passion for bold design and eclectic collections. Known for his larger-than-life personality and over-the-top style, the singer has filled his homes with an array of art, Tiffany lamps, stuffed animals, and other unique decor elements. This approach to interior design reflects his signature flair for excess and individuality. In the 1970s, John’s decorating style was anything but subtle. His Surrey home was a testament to this maximalist ethos, filled with outsized collections that included art, onyx eggs, vintage records, and even a menagerie of plush animals. These items weren’t just decorative; they served practical purposes, such as helping guests navigate the cluttered space. John’s penchant for bold design extended beyond his home—he even named his house “Hercules” after legally changing his middle name to Hercules John. Over time, while his style has evolved into a more refined version of maximalism, it remains unapologetically eccentric. John is also known for his extensive art collections, including one of the largest private photography collections in the world. His home reflects this passion for art and design, blending bold statements with an eye for curation. For readers interested in interior design, Elton John’s approach offers a fascinating glimpse into how maximalist design can be executed on a grand scale. His ability to mix opulent elements while maintaining a cohesive aesthetic highlights the importance of personal expression in home decor. Whether it’s his quirky collections or his bold use of color and texture, John’s homes showcase how pushing boundaries can create a truly unique living space. Ultimately, Elton John’s maximalist domestic life is a celebration of individuality and creativity. His willingness to embrace excess and experiment with design has left an

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Originally published on Architectural Digest on 2/26/2026