'Elvis Presley in Concert': Baz Luhrmann on his dazzling new doc - Los Angeles Times
Los Angeles Times
by Mikael WoodFebruary 24, 2026
AI-Generated Deep Dive Summary
Baz Luhrmann’s new film *“EPiC: Elvis Presley in Concert”* showcases the director’s signature visual flair while celebrating Elvis Presley’s electrifying live performances. The movie, which combines concert footage and documentary elements, was inspired by a serendipitous discovery of 50-year-old film reels from Elvis’s 1970s residencies in Las Vegas. Instead of letting this rare footage go to waste, Luhrmann transformed it into a visually stunning tribute to the King of Rock ‘n’ Roll. The film captures Presley’s charismatic performances, highlighting his magnetic stage presence and the raw power of his music.Narrated by excerpts from an unreleased interview with Presley, *“EPiC”* offers a unique glimpse into Elvis’s career and personal journey. Luhrmann’s bold storytelling style, marked by vibrant colors and dynamic editing, brings the footage to life, creating an immersive experience that rivals other acclaimed concert films like Brett Morgen’s *“Moonage Daydream.”*The discovery of the forgotten film reels was a turning point for Luhrmann, who saw it as an opportunity to honor Elvis’s legacy. The resulting movie not only preserves this historical footage but also challenges perceptions of Presley’s career decline during this period. By focusing on his live performances, *“EPiC”* reveals how Elvis’s charisma and talent continued to captivate audiences, even as the music industry evolved around him.This film is more than just a concert documentary—it’s a testament to Elvis’s enduring appeal and Luhrmann’s ability to create visually stunning, emotionally resonant work. For fans of Presley andLuhrmann alike, *“EPiC”* offers a fresh perspective on a iconic artist’s career, reminding audiences of the raw energy that made Elvis a legend. With its innovative approach and meticulous restoration of historical footage, the film stands out as a celebration of music history and cinematic artistry.
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Originally published on Los Angeles Times on 2/24/2026