Grace Ives Readies New Album Girlfriend and Tour

Pitchfork

by Jazz Monroe

February 20, 2026

AI-Generated Deep Dive Summary

Grace Ives is gearing up for a fresh wave of music and live performances with her highly anticipated new album, *Girlfriend*, set to release on March 20 via True Panther/Capitol. Produced alongside collaborators Ariel Rechtshaid and John DeBold, the album marks a significant evolution in Ives’ artistic journey. Known for her introspective and genre-blending soundscapes, Ives has shifted her focus from personal escape to bold exploration, as she explains: “This album is about giving myself room to fail, to experiment, and to become more honest in the music.” The release of *Girlfriend* follows her 2022 album *Janky Star* and a trio of singles dropped last November. With tracks like the fiery new single “Stupid Bitches,” Ives continues to push boundaries while maintaining her signature raw and emotional style. The album’s themes of self-discovery and vulnerability resonate deeply with listeners seeking authenticity in music. Ives’ journey from personal constraint to creative freedom reflects a broader cultural shift toward embracing imperfection and boldness in art. This evolution is particularly evident in *Girlfriend*, which explores deeper emotional territories, blending intimate lyricism with dynamic production. Collaborators Ariel Rechtshaid and John DeBold have played integral roles in shaping the album’s sound, ensuring it stands out as a fresh yet cohesive offering. In addition to the album release, Ives has announced an extensive North American and international tour. The trek kicks off in April, spanning cities across the U.S., including stops in Philadelphia, Montreal, Toronto, Chicago, Los Angeles, and more. International dates include performances in Barcelona, Paris, Berlin, Amsterdam, London, and beyond. Fans can expect a mix of energetic live performances and intimate storytelling, showcasing Ives’ growth as both an artist and a person. For readers immersed in music culture

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Originally published on Pitchfork on 2/20/2026