Highway to … Hello, Boys! Meet the gay AC/DC tribute you never knew you needed
Sydney Morning Herald
by Rod YatesFebruary 13, 2026
AI-Generated Deep Dive Summary
In an alternative take on AC/DC’s legacy, GayC/DC—a high-camp, queer tribute band led by bassist Chris Freeman—reimagines the iconic Australian rock group as a gay collective. Formed in 2013, the band blends humor with musical precision, staying true to AC/DC’s sound while adding a bold LGBTQ+ twist. Freeman, who spent years hiding his sexuality in the music industry, now celebrates his identity through GayC/DC, turning performances into vibrant affairs filled with costume changes and theatricality.
Freeman’s journey began in the 1980s when he was advised by record labels to keep his sexuality hidden. It wasn’t until meeting guitarist Jon Ginoli in the early ’90s that he found a space to embrace his queerness, founding the pioneering punk band Pansy Division. This experience shaped Freeman’s approach to GayC/DC, where he and his bandmates reimagine AC/DC hits with a queer flair—such as reworking *Dirty Deeds Done Dirt Cheap* into *Dirty Dudes Done Dirt Cheap*. Their goal is not just to entertain but to challenge perceptions of gender and sexuality in rock music.
Despite facing backlash from fans who reject their reinterpretation, Freeman remains confident. He believes their live shows, marked by energy and spectacle, can win over audiences. GayC/DC’s performances promise a mix of nostalgia and innovation, with Freeman aiming to create an unforgettable experience for viewers. The band’s approach highlights the power of reimagining icons while staying true to their roots.
GayC/DC’s story matters in today’s cultural landscape as it challenges norms around gender and sexuality in music. By celebrating queerness and breaking down stereotypes, the band contributes to broader conversations about LGBTQ+ rights and representation in entertainment. Their tours, including upcoming shows in Melbourne and Sydney, offer a chance to see this unique vision come to life.
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Originally published on Sydney Morning Herald on 2/13/2026