Honey Dijon Enlists Rochelle Jordan, Madison McFerrin, and More for New Album

Pitchfork

by Jazz Monroe

February 26, 2026

AI-Generated Deep Dive Summary

Honey Dijon, the renowned Chicago-based house producer, is set to release her highly anticipated album *Nightlife* on April 17. This follows her 2022’s *Black Girl Magic* and a 2024 DJ Kicks compilation, solidifying her status as a trailblazer in contemporary electronic and dance music. The album features an impressive lineup of collaborators, including Rochelle Jordan, Madison McFerrin, Greentea Peng, Chlöe, Mahalia, Bree Runway, and more. These artists bring their unique voices to tracks that promise to blend soulful vocals with infectious beats, showcasing Dijon’s signature house music style while pushing creative boundaries. The tracklist highlights a mix of solo and collaborative efforts, from the sultry “I Like It Hot” featuring Greentea Peng to the vibrant “Slight Werk” with Bree Runway. Other standout tracks include “Private Eye” with Rochelle Jordan and “Rush Me” featuring Mahalia, each offering a distinct flavor that aligns with Dijon’s penchant for blending genres while maintaining a cohesive sound. The album also revisits themes of empowerment and self-expression, reflecting Dijon’s commitment to celebrating Black womanhood and creativity—a thread that runs through her previous work. *Nightlife* is more than just a collection of tracks; it’s a celebration of rising talent and musical diversity. By collaborating with artists like Madison McFerrin and Mahalia, who are gaining recognition in their own right, Dijon amplifies the visibility of the next generation of Black female musicians. This album matters to readers interested in music as it not only pays homage to house music’s roots but also innovates within the genre, offering fresh sounds that resonate across cultural and generational lines. For fans of electronic, R&B, and dance music, *Nightlife* promises an exciting ride—one that honors tradition while looking toward the future.

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Originally published on Pitchfork on 2/26/2026