‘How to Make a Killing’ Review: Glen Powell’s Star Power Proves Limited in Bland Black Comedy

Hollywood Reporter

by Frank Scheck

February 20, 2026

AI-Generated Deep Dive Summary

Glen Powell’s latest venture, *How to Make a Killing*, aims to showcase his range beyond romantic comedies and franchise sequels but falls flat due to its lack of humor and depth. Directed by John Patton Ford, the film reimagines the classic 1949 British comedy *Kind Hearts and Coronets* as a darkly comedic tale of a man plotting to kill his wealthy relatives for their inheritance. While Powell’s charm is evident, it’s not enough to carry the film, which struggles to balance its tonal shifts between black comedy and drama. The movie’s attempt to make its protagonist sympathetic despite his murderous actions fails to resonate, leaving audiences underwhelmed. The film’s structure, featuring flashbacks and a death-row conversation with a priest, occasionally delivers amusing moments but never fully commits to either humor or seriousness. Powell’s performance feels forced as he tries to embrace the role of a murdering antihero, while supporting cast members like Margaret Qualley and Bill Camp shine in their respective roles. Qualley, in particular, brings energy and wit to her part as Becket’s childhood friend, almost making up for the film’s shortcomings. However, most characters feel underdeveloped, with many relatives existing solely as obstacles for Becket to eliminate. The movie’s lack of bite—whether in humor or drama—leaves it feeling disjointed and uninspired. While *How to Make a Killing* has its moments, it ultimately fails to capitalize on its intriguing premise. For readers interested in entertainment, this review highlights the challenges of blending genres and the importance of strong character development in making such projects work. With Powell’s star power not being enough to save the film, it serves as a cautionary tale about relying too heavily on a lead actor without a compelling story or execution.

Verticals

entertainmentfilm

Originally published on Hollywood Reporter on 2/20/2026