Ian McKellen Swings from Shakespeare to Gandalf to Virtual Reality

The New Yorker

by Henry Alford

February 23, 2026

AI-Generated Deep Dive Summary

Ian McKellen’s visit to New York for the virtual reality film *An Ark* at The Shed showcased his reflections on mortality, fame, and technology. During the screening, he interacted with a young audience, sharing anecdotes about his roles as Gandalf and Magneto while discussing themes of death in the film. Despite the immersive experience, McKellen emphasized that live theater remains irreplaceable, recalling past struggles with CGI during *The Lord of the Rings* filming. McKellen’s philosophical take on aging and mortality resonated deeply with the play’s existential themes. He revealed how a near-fatal stage fall in London earlier that year had tested his resilience but ultimately reaffirmed his vitality. His career-defining roles and advocacy for LGBTQ+ rights were highlighted, including his 1988 coming-out journey, which he described as personally liberating rather than a public spectacle. His spontaneous recitation of an Elizabethan anti-immigrant monologue on *The Colbert Report* went viral, underscoring his cultural impact. McKellen’s blend of artistic integrity and activism has made him a beloved figure globally, balancing Shakespearean profundity with modern-day advocacy.

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Originally published on The New Yorker on 2/23/2026