Indian author Arundhati Roy quits Berlinale after ‘stay out of politics’ Gaza comments
South China Morning Post
by Agence France-PresseFebruary 14, 2026
AI-Generated Deep Dive Summary
Award-winning Indian author Arundhati Roy has withdrawn from the Berlin Film Festival after expressing outrage over comments made by jury president Wim Wenders regarding the role of cinema in politics. During a press conference, Wenders suggested that cinema should "stay out of politics," specifically when asked about the situation in Gaza. In response, Roy stated she was "shocked and disgusted" by the remarks and decided to pull out from her involvement as a jury member. Known for her 1997 Booker Prize-winning novel *The God of Small Things*, Roy has long been an outspoken advocate for social and political causes.
This decision highlights the ongoing tension between art and politics, particularly in international forums like the Berlinale. Roy’s withdrawal underscores the personal and ethical dilemmas faced by artists when their work intersects with political issues. Her stance also reflects a broader debate about whether cultural institutions should engage with political matters or remain neutral, a topic that has gained renewed attention in recent years.
The incident raises important questions about the role of filmmakers and festivals in addressing global conflicts like the situation in Gaza. While some argue for art’s ability to transcend politics, others believe artists have a responsibility to speak out against injustice. Roy’s decision to step away from the Berlinale sends a powerful message about the importance of aligning creative work with personal values, particularly when those values are deeply tied to social and political issues.
This controversy also sheds light on the challenges faced by international film festivals in balancing artistic expression with political sensitivity. As global audiences increasingly demand accountability from cultural institutions, events like the Berlinale must navigate how they address pressing societal issues. Roy’s withdrawal serves as a reminder of the ethical considerations that come with participating in such platforms, particularly for artists with strong political convictions.
In the end, this incident not only highlights Arundhati Roy’s commitment to her principles but also invites readers and viewers to reflect on the role of art in shaping public discourse. Whether or one agrees with her decision, it sparks a crucial conversation about the intersection of politics, culture, and ethics—a discussion that continues to resonate globally.
Verticals
worldasia
Originally published on South China Morning Post on 2/14/2026