'Industry' Season 4, Episode 7 Recap: Max Minghella Interview

Variety

by alisoncolleherman

February 23, 2026

AI-Generated Deep Dive Summary

'Industry' Season 4, Episode 7 delves into the unraveling of con artist Whitney Halberstram (Max Minghella) as his fraudulent startup, Tender, crumbles under the scrutiny of short sellers like Harper Stern (Myha’la). Attempting one last desperate move, Whitney targets Pierpoint, a bank that was central to the show’s earlier seasons. His bold presentation to shareholders nearly convinces them, showcasing his charm and desperation in equal measure. However, behind the scenes, he faces threats from Russian backers, forcing him to make a risky decision that ultimately leads to his downfall. Max Minghella reflects on his role as Whitney, a character driven by ambition and deceit, drawing parallels to literary antiheroes like Tom Ripley. Minghella’s background in diverse roles, including *The Handmaid’s Tale*, provides a unique perspective for portraying a complex character navigating London’s high-stakes financial world. His performance is characterized by spontaneity and ambiguity, aligning with the show’s exploration of moral ambiguity and ambition. Minghella’s enthusiasm for *Industry* stems from its sharp writing and the creative vision of its writers, Mickey Down and Konrad Kay. He acknowledges the pressure of joining a beloved series but praises the team’s talent and the show’s reinvention in Season 4. His deep connection to the character and the story resonates with fans and critics alike, solidifying *Industry*’s reputation as a thought-provoking exploration of power, greed, and redemption. This episode underscores the show’s ability to blend compelling storytelling with nuanced character development. Minghella’s performance and his insights into the role highlight the show’s appeal to audiences seeking intelligent drama about the cutthroat world of finance. As *Industry* continues to evolve, its exploration of moral ambiguity and human complexity keeps it at the forefront of must-watch television.

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Originally published on Variety on 2/23/2026