Éliane Radigue, Composer of Time, Silence and Space, Dies at 94

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by Peter Catapano

February 24, 2026

AI-Generated Deep Dive Summary

Éliane Radigue, a French composer known for her innovative fusion of Tibetan Buddhist spirituality and synthesizer experimentation, passed away at 94 in Paris. Her death, caused by complications from a fall, marks the end of an era for an artist whose work redefined the boundaries of music. Radigue’s compositions were celebrated for their slow, meditative pace and ethereal textures, which often felt disconnected from traditional Western musical structures. Radigue’s career began in the 1960s, and her stature among musicians and listeners grew steadily, mirroring the deliberate, glacial movement of her works. She became known for her use of the ARP 2500 synthesizer, which allowed her to create hauntingly beautiful soundscapes that evoked a sense of timelessness. Her pieces, such as *Psi 847*, were characterized by soft, sustained tones and minimal dramatic contrast, as noted in a 1973 review by John Rockwell for *The New York Times*. Radigue herself described her approach as focusing on “shivering space” and the subtle vibrations of silence, creating music that felt both otherworldly and deeply personal. Radigue’s work resonated with audiences seeking alternative forms of musical expression. Her compositions were often described as vast, slow-moving soundscapes that challenged traditional notions of time and space in music. This unique approach made her a cult figure among experimental music enthusiasts and those interested in the intersection of art and spirituality. Her influence continues to inspire contemporary artists exploring similar themes, emphasizing the importance of her contributions to modern music. For readers interested in news about groundbreaking musical innovators, Radigue’s story highlights the enduring impact of creativity that transcends conventional boundaries. Her life and work serve as a testament to how spiritual practices and technological experimentation can converge to produce art that transcends cultural and temporal limitations, leaving an indelible mark on the world of music.

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Originally published on NYT Homepage on 2/24/2026