Los Tigres del Norte appear in latest "The Simpsons" episode - Los Angeles Times
Los Angeles Times
by Carlos De LoeraDecember 29, 2025
AI-Generated Deep Dive Summary
Los Tigres del Norte, the legendary Grammy-winning band, made history by appearing in animated form on a recent episode of *The Simpsons*. In their special guest spot, they performed an original corrido titled *"El Corrido de Pedro y Homero"*, which recounted the zany adventures of Homer Simpson and his friend Pedro Chespirito, a character inspired by Mexican TV icon Roberto Gómez Bolaños. The collaboration was unexpected but highly anticipated, as the show teased it on social media beforehand. Los Tigres del Norte expressed their gratitude for this unique opportunity, calling it an honor to be part of *The Simpsons'* universe and noting how their music transcends borders and generations.
The episode’s writers revealed that the band’s inclusion was a deliberate nod to the show’s sizable Latin American fanbase, particularly Mexican and Mexican American audiences. Cesar Mazariegos, the head writer, shared his surprise and excitement when Los Tigres del Norte agreed to contribute an original song for the episode. This marks the latest in *The Simpsons’* long tradition of featuring iconic musical acts, including U2, Paul McCartney, and Dolly Parton. Other Latinx artists like Tito Puente and Los Lobos have also appeared on the show, further showcasing its commitment to diverse cultural representation.
Los Tigres del Norte’s guest appearance highlights the growing emphasis on Latinx storytelling in mainstream media. The band’s involvement not only brings attention to their enduring legacy but also bridges the gap between Latin American culture and global audiences. This collaboration underscores how *The Simpsons*, a show known for its humor and creativity, continues to celebrate diverse voices while maintaining its timeless appeal. For fans of both the band and the show, this moment represents a unique intersection of music, comedy, and cultural pride.
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Originally published on Los Angeles Times on 12/29/2025