Louvre Director Resigns, Months After Crown Jewels Were Stolen in Heist

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by Mark Landler

February 24, 2026

AI-Generated Deep Dive Summary

Laurence des Cars, the first female president of the Louvre Museum, has resigned just months after a historic theft of crown jewels valued at over $100 million raised concerns about security at one of the world’s most iconic museums. Her departure, accepted by French President Emmanuel Macron, comes as the museum faces significant challenges, including labor strikes, water damage, and structural issues, which have undermined her credibility and political support. Des Cars’ tenure was marked by ambitious plans to modernize the Louvre, known as the “Louvre — New Renaissance” project. However, these efforts have been met with criticism over their cost and proposed changes to the museum’s layout. The heist in October 2026 further exposed vulnerabilities in the museum’s security systems, leading to questions about its preparedness to protect its vast collection of artifacts and artworks. The resignation leaves the future of the modernization project uncertain. Macron views it as a key part of his cultural legacy but has faced backlash over its expense and potential impact on the Louvre’s iconic spaces. Des Cars’ departure also comes just before she was scheduled to testify in front of the French Parliament about the security lapses that facilitated the theft. The series of setbacks during des Cars’ leadership—ranging from water damage to antique books and forced gallery closures—highlighted significant management challenges at the museum. These issues, combined with the high-profile theft, have created a sense of instability at the Louvre, casting doubt on its ability to maintain its status as one of the world’s leading cultural institutions. This news is significant for readers interested in art, culture, and global affairs, as it reflects broader concerns about security, management, and funding in some of the world’s most prestigious museums. The resignation underscores the pressures faced by cultural leaders and institutions in balancing innovation with tradition and addressing the complex challenges of maintaining such iconic spaces.

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Originally published on NYT Homepage on 2/24/2026