Louvre director resigns months after jewels heist
Sydney Morning Herald
February 24, 2026
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The director of the Louvre Museum has resigned following last year's high-profile $150 million jewelry heist. In a statement, she acknowledged her responsibility for the incident, which occurred despite alarms being triggered but going unaddressed by security personnel. The theft involved 16th-century jewels and was the most significant art crime in years. While the director emphasized her dedication to the museum, she acknowledged that leadership accountability was necessary following such a lapse in security.
The heist, which took place in May 2025, remains unresolved, with no suspects identified despite ongoing investigations. Museum officials have faced criticism for failing to address systemic security flaws. The incident raised questions about the adequacy of security measures at one of the world's most renowned cultural institutions. The director's resignation comes after months of scrutiny, during which she accepted full responsibility but stressed her commitment to rebuilding trust and restoring museum operations.
This development highlights broader concerns about security protocols in high-profile cultural institutions. The theft underscores the challenges museums face in balancing visitor access with safeguarding priceless artifacts. For readers interested in global news and art security, this story sheds light on the vulnerabilities of even the most secure facilities. It also serves as a reminder of the importance of accountability and innovation in museum security practices.
The resignation reflects not only a personal accountability but also a broader shift in how institutions are expected to respond to failures in their operations. As cultural landmarks continue to grapple with balancing accessibility and protection, this incident will likely influence future policies and security upgrades in museums worldwide. For art enthusiasts and those interested in global affairs, the Louvre's response to the he
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Originally published on Sydney Morning Herald on 2/24/2026