New Exhibition Brings Viewers Inside the Creative World of Andy Scott

Artnet News

by Artnet Gallery Network

February 20, 2026

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A new solo exhibition, *Andy Scott: Monumental*, at VEFA Gallery in Torrance, California, offers a unique glimpse into the creative process and artistic philosophy of Scottish sculptor Andy Scott. Known for his monumental outdoor sculptures, such as The Kelpies—two 98-foot-tall horse-head figures in Scotland—the exhibition shifts focus to human scale, showcasing maquettes, sketches, and a ten-foot steel horse head that highlight Scott’s meticulous craftsmanship and conceptual depth. The show explores the evolution of Scott’s work from initial ideas to finished masterpieces, emphasizing the blend of engineering precision and emotional resonance that defines his practice. Featuring works like *Equus Altus* (2013) and *The Calling* (2024), the exhibition underscores Scott’s innovative use of materials such as steel and bronze. His large-scale creations, including The Kelpies, are constructed from thousands of hand-cut and welded steel segments, showcasing his technical skill and dedication to detail. However, “Monumental” also delves into the conceptual rigor behind his art, revealing how each piece is not just a physical structure but a reflection of deeper themes like memory, time, and cultural identity. The exhibition positions Scott’s work as a catalyst for broader conversations about public art’s role in shaping community spaces and fostering shared cultural experiences. VEFA Gallery founder Jonathan Anderson describes *Andy Scott: Monumental* as the gallery’s keystone exhibition, celebrating sculpture where engineering and emotion are intertwined. Scott’s monumental works are more than objects; they become landmarks that define a sense of place and enrich public memory. This aligns with VEFA’s mission to showcase artists whose work is both conceptually rigorous and materially impressive—artists who communicate beyond the art world to influence culture at large. The gallery, which was built as a family project over seven years, shares a personal

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Originally published on Artnet News on 2/20/2026