Op-comic: Thinking in circles on the meaning of attention - Los Angeles Times

Los Angeles Times

by Amy Kurzweil and D. Graham Burnett

February 24, 2026

AI-Generated Deep Dive Summary

Ondi Timoner, a filmmaker known for her intimate documentaries, turns her lens on her own life and community in *All The Walls Came Down*. Following the devastating Eaton Fire, which left Timoner without a home, she began documenting the struggles of her neighbors in Altadena, California. Through this process, she aimed not only to capture their stories but also to contribute to the collective healing of her community. Her film serves as both a personal journey and a broader exploration of resilience, displacement, and rebuilding. The documentary focuses on Timoner’s efforts to chronicle the aftermath of the fire and the subsequent challenges faced by her neighbors. She joined My Tribe Rise, a grassroots organization dedicated to helping Altadena recover, and her camera became a tool for empowerment. By capturing the struggles and hopes of those affected by the fire, Timoner hoped to amplify their voices and raise awareness about the ongoing issues of housing insecurity and financial strain in the area. In addition to its role as a community project, *All The Walls Came Down* is deeply personal for Timoner. It reflects her own experience of loss and renewal, showcasing how she used filmmaking to process her grief and rebuild connections with those around her. The film highlights the strength of local communities coming together in times of crisis, offering a blueprint for collective action and resilience. This story matters because it underscores the power of storytelling as a tool for healing and community building. Timoner’s approach demonstrates how personal passion projects can evolve into meaningful efforts that address broader societal issues. For readers interested in news, particularly those focused on local journalism and community impact, this film serves as an example of how creative expression can drive positive change.

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Originally published on Los Angeles Times on 2/24/2026