Phil Collins, Mariah Carey, Sade, and Oasis Nominated for Rock Hall of Fame

Pitchfork

by Kiana Mickles

February 25, 2026

AI-Generated Deep Dive Summary

The Rock & Roll Hall of Fame has unveiled its 2026 nominees, featuring an impressive lineup of legendary artists spanning various genres. Among the nominees are Sade, Phil Collins, Mariah Carey, Joy Division and New Order, and Oasis, alongside other notable acts like Iron Maiden, Billy Idol, and INXS. This year’s list also includes first-time nominees such as Luther Vandross, Lauryn Hill, Wu-Tang Clan, Jeff Buckley, Melissa Etheridge, New Edition, Shakira, and P!NK. The induction ceremony is set to take place in Cleveland in the fall of 2026, with the final inductees announced in May. The eligibility criteria for the Rock Hall requires artists to have released their first commercial recording at least 25 years prior. This year’s eligible pool included prominent names like Alicia Keys, the Strokes, and Yeah Yeah Yeahs, who were ultimately not selected for nomination. Additionally, Cher, who was considered for induction in 2025, did not receive a 2026 nomination either. The Hall’s class of 2025 featured Cyndi Lauper, Outkast, Salt-N-Pepa, and the White Stripes. This year’s nominations highlight the Rock & Roll Hall of Fame’s commitment to recognizing artists who have had a lasting impact on music across different eras and genres. The inclusion of both iconic acts like Iron Maiden and Billy Idol, as well as trailblazers like Wu-Tang Clan and Lauryn Hill, underscores the organization’s efforts to honor a diverse range of musical contributions. For fans of rock, pop, hip-hop, and beyond, this year’s nominees offer a compelling mix of established legends and emerging influences. The Rock & Roll Hall of Fame induction continues to evolve, reflecting changing tastes in music while honoring those who have shaped its history. With such a varied and influential group of artists up for induction, fans can look forward to an exciting ceremony that celebrates the rich legacy of music’s past and present.

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Originally published on Pitchfork on 2/25/2026