Psycho Killer review: part slasher, part serial-killer thriller, all stupid
Polygon
by Jesse HassengerFebruary 23, 2026
AI-Generated Deep Dive Summary
The article reviews *Psycho Killer*, a horror thriller that blends elements of the slasher genre with serial-killer narratives but falls flat due to its lackluster execution and generic storytelling. The film follows a highway cop who crosses jurisdictions to hunt down a prolific serial killer responsible for her husband's murder. While the premise might have potential, the movie is criticized for being overly derivative of '90s and early 2000s horror, relying on tired tropes that have since become outdated. Its attempt to hybridize two related yet incompatible subgenres ultimately results in a disjointed and unoriginal experience.
The review highlights how *Psycho Killer* feels like a relic from a bygone era of multiplex horror, where such stories were more common but less polished. The film’s reliance on predictable plot twists and underdeveloped characters further alienates modern audiences expecting something fresh and innovative. Despite its attempt to reinvent the wheel, it fails to deliver anything new or exciting, making it feel stale even for fans of the genre.
Interestingly, *Psycho Killer* is tied to gaming culture through its writer/director, who also worked on *Panic Room*, a title known for its suspenseful storytelling. However, this connection doesn’t save the film from its many flaws. For readers interested in gaming or entertainment, the review underscores the importance of innovation in horror storytelling and how blending subgenres can either elevate or sink a project. While *Psycho Killer* may not be worth streaming, it serves as a cautionary tale about relying on overused formulas in both films and games.
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Originally published on Polygon on 2/23/2026