Roger and the Smooth Fox Terriers
The New Yorker
by Margaret MoormanFebruary 22, 2026
AI-Generated Deep Dive Summary
Roger Angell, a celebrated literary figure known for his secular worldview, found unexpected comfort and meaning through his deep connection with smooth fox terriers. After losing his wife Carol to cancer, Roger turned to Andy, a small, lively dog who became the center of his life. Margaret Moorman, a writer who befriended Roger during his grief, describes how she stepped in to care for both Roger and Andy when her own pets had passed away. Through their bond, Roger found purpose, and Moorman discovered a renewed belief in an afterlife—a perspective shaped by the love shared between Roger and his dogs.
Roger’s relationship with smooth fox terriers began decades earlier, sparked by a chance encounter with a striking dog on a Mediterranean beach. His second wife, Carol, who also adored the breed, helped him acquire Andy, their third fox terrier. When Roger was left alone after Carol’s passing, Andy became his constant companion, providing comfort and joy during his darkest hours. Despite Roger’s lack of domestic skills—like cooking or using appliances—he thrived with Andy by his side, even taking evening walks around the block that earned them a special place in the hearts of their neighbors.
The story highlights how pets can fill emotional gaps and provide unexpected solace. Moorman initially felt unprepared for pet ownership but quickly bonded with Andy, who became her constant companion as well. Roger’s eventual decision to marry Moorman was rooted in practicality: he needed someone reliable to care for him and Andy, and Moorman proved to be the perfect fit. Their union, which occurred in 2014, solidified their bond, with Andy becoming a cherished member of their shared life.
The narrative also explores the broader cultural significance of pet ownership and its impact on human relationships. Roger’s lack of interest in religion and his secular outlook made Moorman’s newfound belief in an afterlife all the
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Originally published on The New Yorker on 2/22/2026