Ron titled a song ‘God loves everyone’. Not everyone was happy
Sydney Morning Herald
by Benjamin LawFebruary 22, 2026
AI-Generated Deep Dive Summary
Ron Sexsmith, a celebrated Canadian singer-songwriter known for his work with artists like Stevie Nicks and Emmylou Harris, shared insights about his unique upbringing and spiritual beliefs in an interview with Benjamin Law. Growing up in a non-religious household, Sexsmith became the only sibling to attend church after being invited by members of the Brockview Bible Chapel. His early experiences with singing and storytelling at Sunday school instilled a deep sense of "God-consciousness," which he describes as a spiritual connection rooted in unconditional love rather than traditional religious dogma. This perspective influenced his music, particularly his album *Exit Strategy of the Soul*, often referred to as a "shadow gospel" that explores spiritual themes without judgment or guilt.
Discussing his career trajectory, Sexsmith revealed how financial struggles and repeated rejections in Canada nearly ended his musical aspirations before he gained recognition in Los Angeles. Despite never achieving massive commercial success, he found stability during a peak period in the mid-2000s when his songs were frequently covered by other artists. However, managing finances has always been challenging for him, a lesson he attributes to prioritizing music over business acumen. His wife's role in their management team has proven crucial in navigating financial responsibilities.
Sexsmith's story offers a compelling look at the interplay between faith, creativity, and resilience. His journey highlights how personal spirituality can inspire art while also emphasizing the challenges of balancing artistic passion with practical realities. For readers interested in both religious and cultural perspectives, his reflections provide a unique lens into blending faith with creative endeavors, offering insights into perseverance and the pursuit of meaningful work despite setbacks.
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Originally published on Sydney Morning Herald on 2/22/2026