The Bluff review: John Wick action meets Pirates Near the Caribbean
Polygon
by Jesse HassengerFebruary 25, 2026
AI-Generated Deep Dive Summary
The Bluff is a high-stakes pirate action film starring Indian superstar Priyanka Chopra Jonas, Karl Urban, and Temuera Morrison. Set in 1846, the movie marks a unique departure from traditional pirate narratives by exploring the waning era of piracy on the Caribbean Sea. While Disney’s Pirates of the Caribbean franchise also delves into this period, The Bluff takes viewers nearly a century later, offering a fresh perspective on the decline of pirate culture and its impact on the characters’ lives.
The film follows Captain Connor (Karl Urban), a vengeful and cunning villain, as he navigates the treacherous waters of political intrigue and shifting power dynamics in the Caribbean. Meanwhile, Queen Charlotte (Priyanka Chopra Jonas) must balance her role as a monarch with her desire for adventure and independence. The movie’s opening text, “The era of pirates on the Caribbean Sea is dying,” serves as both a narrative device and a subtle nod to the declining popularity of pirate-themed entertainment.
While The Bluff pays homage to classic pirate films, it also brings a modern twist to the genre with its fast-paced action sequences and complex characters. The film’s historical setting and richly detailed production design immerse audiences in the world of 19th-century piracy, blending adventure, politics, and personal struggles. This unique blend of elements makes The Bluff a compelling addition to the entertainment landscape.
For fans of gaming, The Bluff’s high-octane action and intricate storytelling could inspire future video game adaptations or tie-ins. Its focus on strong female leads, strategic gameplay-like decision-making, and immersive world-building aligns with popular trends in both film and gaming industries. Whether as a standalone movie experience or a source of inspiration for interactive entertainment, The Bluff offers a fresh perspective on a beloved genre.
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Originally published on Polygon on 2/25/2026