The Surprisingly Sexual Side of Medieval Christian Art
Artnet News
by Katie WhiteFebruary 14, 2026
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Medieval Christian art often reveals unexpected layers of symbolism and meaning, particularly in its depictions of religious figures and events. One such intriguing aspect is the representation of Christ’s side wound, inflicted during his crucifixion, as resembling female genitalia—a deliberate artistic choice that reflects deeper theological and cultural concepts. This imagery, seen in works like the *Prayer Book of Bonne of Luxembourg*, attributed to Jean Le Noir, highlights medieval understandings of Christ’s dual nature as both male and female, symbolizing His role as a unifying force beyond traditional gender binaries. The wound is often depicted with a mandorla shape, an almond-like form that also appears around sacred figures like Mary and Jesus, evoking the union of heaven and earth.
The exhibition *“Spectrum of Desire: Love, Sex, and Gender in the Middle Ages”* at the Met Cloisters explores these themes, showcasing how medieval artists used imagery to convey spiritual ideas. For instance, Christ’s wound is not merely a symbol of suffering but also a source of divine nourishment, likened to a lactating breast.
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Originally published on Artnet News on 2/14/2026