U2: Days of Ash EP

Pitchfork

by Sam Sodomsky

February 25, 2026

AI-Generated Deep Dive Summary

U2's *Days of Ash* EP marks a notable return to form after years of infrequent releases and ambitious yet labored projects. The band’s latest effort is a politically charged, 23-minute stopgap release that addresses issues like ICE violence in America, Israeli settlements, and teenage uprisings in Iran. Though the album lacks the polish of previous works, its raw energy and direct approach are refreshingly unfiltered. The EP also features contributions from Ed Sheeran on the closing track, "Yours Eternally," which blends the band's signature anthemic style with a modern pop sensibility. The EP’s stripped-down production reflects U2’s urgency to release new material without extensive collaborations or overproduction. This approach highlights the band’s ability to connect with their roots and return to their protest-music origins, which have inspired generations of listeners. Bono’s impassioned vocals and The Edge’s evolving guitar style—ranging from acoustic strumming to arena-ready power chords—demonstrate the band’s continued growth while maintaining their iconic sound. While *Days of Ash* leans heavily on spoken-word interludes and politically charged themes, it also showcases U2’s ability to adapt. Drummer Larry Mullen Jr.’s absence due to surgery adds a layer of poignancy, as the EP serves as a reminder of the band’s enduring lineup and legacy. Despite its brevity, the EP manages to balance depth with accessibility, offering a glimpse into U2’s evolution while staying true to their core mission of blending music with social commentary. For fans of U2, *Days of Ash* is both a nostalgic trip and a look ahead at what the band can still achieve. It reaffirms Bono’s commitment to meaningful songwriting and highlights the band’s ability to address global issues through their music. While not a full-length album, the EP’s release signals a promising direction for U2 as they continue work on their first studio album in nine years.

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Originally published on Pitchfork on 2/25/2026