Underscores Drops New Single “Tell Me (U Want It)”

Pitchfork

by Walden Green

February 25, 2026

AI-Generated Deep Dive Summary

April Harper Grey has released her first new single of 2026, *“Tell Me (U Want It),”* a self-directed music video that serves as the third preview of her highly anticipated third album. The track follows earlier singles “Do It” and “Music,” building momentum for what fans are eagerly waiting to hear from her next project. Directed by Grey herself, the visuals tell a suspenseful story of a mysterious USB drive theft, with Grey evading capture while its owner pursues her. The video also features cameos from Jane Remover and Fraxiom in a diner scene, adding intrigue to the narrative. Grey’s latest release continues her creative evolution since her 2023 album *Wallsocket*. Known for her innovative sound and bold artistic direction, she has also contributed guest appearances on Oklou’s *Choke Enough* and tracks by Yaeji and Umru. These collaborations highlight her versatility in the music scene. Fans of her previous work can expect a fresh yet familiar vibe with *“Tell Me (U Want It),”* blending elements of indie pop and experimental music. Walden Green, a music writer for Pitchfork, praised Grey’s earlier singles, noting her ability to craft tracks that are both introspective and dynamic. As anticipation builds for her third album, *“Tell Me (U Want It)”* offers a tantalizing glimpse into what’s coming next. The song’s infectious energy and visually compelling video make it a standout release in an already stellar lineup of 2026 debuts. For readers interested in music, this release matters because it showcases Grey’s continued growth as an artist and her ability to push boundaries in both sound and visual storytelling. Her work appeals to fans of indie pop, experimental music, and those who appreciate bold artistic visions. With *“Tell Me (U Want It),”* April Harper Grey reinforces her status as a must-watch-and-listen artist in the ever-evolving music landscape.

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Originally published on Pitchfork on 2/25/2026