When Rajpal Yadav spoke about playing 500 characters and refusing to use abusive language on screen
Times of India
by TOI ENTERTAINMENT DESKFebruary 14, 2026
AI-Generated Deep Dive Summary
Rajpal Yadav, a veteran actor known for his versatility in comedy and drama, has shared insights into his decades-long career, highlighting his refusal to use abusive language in films despite its growing prevalence. In an interview, he revealed that he has played over 500 characters across numerous movies, emphasizing how this diversity prevents him from being typecast. Yadav, who remains relevant in the industry at 60 years old, attributes his resilience and evolution as an artist to the lessons learned throughout his career. He also criticized the trend of including profanity in modern cinema, stating that only a small percentage of the audience enjoys such content, while the majority prefer clean humor and universal appeal.
Yadav’s journey in Bollywood has been marked by both success and challenges. During his peak from 2000 to 2010, he worked on over 100 films, which significantly shaped his artistic growth. He described himself as a serious individual who observes life to find humor, believing that true comedy comes from satisfaction in life rather than shock value. This approach has allowed him to maintain a diverse career, even as he navigates legal issues. Currently, he is entangled in a cheque bounce case stemming from a 2010 loan default for his directorial debut, *Ata Pata Laapata*. The film’s failure led to unpaid debts and legal battles, resulting in a six-month jail sentence ordered by the Delhi High Court.
Despite his legal troubles, Yadav has been granted interim bail to attend a family wedding. His story reflects not only his personal struggles but also the broader challenges faced by artists in the Indian film industry. As he continues to work in multiple projects, Yadav’s career serves as an example of enduring relevance and adaptability in Bollywood. His philosophical take on comedy, performance, and life offers valuable insights into the evolving landscape of Indian cinema, making his reflections particularly relevant for readers interested in the world of Asian entertainment.
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Originally published on Times of India on 2/14/2026