William "Billy" Haines's Iconic Chair was Designed for Socializing

Architectural Digest

by Hannah Martin

February 19, 2026

AI-Generated Deep Dive Summary

William "Billy" Haines, a trailblazing American designer known for his Hollywood Regency interiors, shifted gears after being blacklisted for his openly gay identity during the height of McCarthy-era purges. Transitioning from acting in silent films to designing homes for A-list stars and executives like Joan Crawford, Gloria Swanson, and Warner Brothers' Jack L. Warner, Haines crafted spaces that celebrated socializing through his signature "hostess chairs." These low-lying stools and chairs, hovering just above the floor, were designed to elevate people over possessions, fostering intimate gatherings. One of Haines' earliest examples, the Brentwood chair, debuted in 1937 at Warner's Beverly Hills screening room. Its distinctive exposed walnut wood structure and tailored proportions made it a standout piece. Custom-made for each client—adjusting sizes based on individuals' needs—these chairs were installed in high-profile locations like Frank Sinatra’s office, Haines’ Brentwood home, and the Annenbergs' Sunnylands estate in Rancho Mirage. The design was meant to encourage conviviality, with its diminutive scale creating a sense of intimacy and nostalgia for a slower pace of social interaction. Haines' approach blended historical elements with modern, Deco-inflected forms, resulting in pieces that felt both timeless and deeply rooted in their era. Interior designer Jamie Bush notes the chair's "slightly feminized" structure brings the horizon line down, evoking a bygone era of elegant LA living. While these chairs add historical charm to contemporary spaces, they also serve as a testament to Haines' innovative approach to design, which continues to inspire modern interpretations. For those passionate about design history and California modernism, Haines' work offers a unique glimpse into the intersection of glamour, social influence, and functional artistry. His designs remind us that furniture isn't just about utility—it's a statement on lifestyle and the ways we connect with others. As Haines himself understood, great design isn't about making things bigger; it's about creating spaces where people can shine.

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Originally published on Architectural Digest on 2/19/2026