Willie Colón, a Luminary of Salsa Music, Dies at 75

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by Derrick Bryson Taylor and Adam Bernstein

February 21, 2026

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Willie Colón, a legendary figure in salsa music known for his driving energy, virtuosic trombone skills, and larger-than-life persona, has passed away at the age of 75. A multi-talented artist, he was a trombonist, singer, bandleader, composer, and producer whose career spanned nearly six decades. Colón’s collaborations, including his iconic 1978 album *Siembra* with Rubén Blades, solidified his status as a luminary in the New York salsa scene and contributed significantly to the genre’s global popularity. His death was announced by his family on Facebook, though details about the cause were not provided. Colón’s journey began in the South Bronx, where he was raised by his Puerto Rican grandmother, who nurtured his early passion for music. By his teens, he was already performing professionally. His 1967 debut album, *El Malo*, launched a groundbreaking career and showcased his partnership with Héctor Lavoe, another salsa icon. Known for his bold, sometimes controversial imagery—depicted as a “bad boy” in his early work—he embraced his mischievous persona with swagger, even as he evolved over time. Colón’s music reflected the cultural shifts of the 1960s and 70s, blending Latin rhythms with R&B, funk, and jazz to create the salsa sound that defined an era. Albums like *Cosa Nuestra* (1970) and *Lo Mato — Si No Compra Este LP* (1973) became landmarks for Fania Records, a key player in salsa’s rise. His work not only influenced music but also brought people together during politically charged times, as he once described it as “rebellious” and a unifying force. Colón’s legacy extends beyond his musical contributions; he was a cultural icon who helped shape Latin music’s global identity. His ability to merge tradition with innovation made him a lasting figure in both salsa and broader Latinx culture. As the world mourns his passing, his influence on generations of musicians and fans remains undeniable, cementing his place as one of the most important figures in 20th-century music history.

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Originally published on NYT Homepage on 2/21/2026