Woke Addiction Makes For a Mixed Season at MASS MoCA

National Review

by Brian T. Allen

February 26, 2026

AI-Generated Deep Dive Summary

The article critiques MASS MoCA, the world’s largest contemporary art museum, for allowing dogma to overshadow the diversity of artistic expression. While the institution is celebrated for its progressive values and commitment to social justice, critics argue that this focus has become overly rigid, alienating audiences and limiting the museum’s ability to showcase the full spectrum of creative work. The piece highlights how an overemphasis on political messaging risks stifling art’s inherent freedom and variety, potentially marginalizing artists and visitors who don’t align with the museum’s ideological bent. The article situates this critique within broader cultural conversations about the role of politics in contemporary art. It notes that while museums like MASS MoCA play a vital role in addressing societal issues through art, there is growing concern about the institutionalization of certain narratives at the expense of others. This tension between artistic expression and ideological messaging has sparked debates among artists, curators, and audiences alike, with some advocating for more inclusive programming that reflects diverse perspectives. The piece also touches on the broader implications for cultural institutions and their responsibilities to both their communities and the art they exhibit. It raises questions about whether museums should prioritize political agendas or maintain a neutral space for artistic exploration. The article suggests that while activism in art can be powerful, it risks becoming counterproductive when it dominates over creativity and innovation. Ultimately, the article emphasizes why this matters

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Originally published on National Review on 2/26/2026